Wseas Transactions On Acoustics And Music


Print ISSN: 1109-9577
E-ISSN: 1109-9577

Volume 5, 2018

Notice: As of 2014 and for the forthcoming years, the publication frequency/periodicity of WSEAS Journals is adapted to the 'continuously updated' model. What this means is that instead of being separated into issues, new papers will be added on a continuous basis, allowing a more regular flow and shorter publication times. The papers will appear in reverse order, therefore the most recent one will be on top.



A Simulation Based Approach of Characterizing Acoustic Feedback in Public Address System

AUTHORS: Ryan D. Reas, Roxcella T. Reas, Joseph Karl G. Salva

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ABSTRACT: Public address system had been in use for a very long time. Since it was first developed, it has evolved from analog public address system to digital public address system. Either analog or digital public address system, its general purpose is to allow efficient communication in a large number of crowd. The object of the public address system is to amplify the received acoustic signal. However, throughout the history of public address system, it had been plagued by problems. One of the problems in public address system is the existence of positive feedback which severely affects the quality output signal. This paper examines the characteristic of acoustic feedback through simulation. The public address system and the acoustic feedback path was based on a low pass finite-impulse-response (FIR) filter. The simulation was performed by increasing slowly the gain of the public address system until the output signal grows exponentially and uncontrollably. The output signal of the public address system with the gain to which it behaves uncontrollably was compared with the output signal of the public address system with a gain 3dB lower. Simulation results show that the acoustic feedback signal has a fixed few narrow frequency components and one of its frequency components dominates the rest of time. Furthermore, it was observed that the public address system with music applied as input acoustic signal and with the existence of acoustic feedback path will have an approximate output signal that is a linear sum of the acoustic feedback signal and music signal. However, the existence acoustic feedback is unpredictable thus its characteristic is hard to quantify. With this, classical way of filtering or signal suppression is inefficient in dealing with the existence of acoustic feedback

KEYWORDS: Feedback, Acoustic Feedback Path, Acoustic Feedback, Howling, Public Address

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WSEAS Transactions on Acoustics and Music, ISSN / E-ISSN: 1109-9577 / , Volume 5, 2018, Art. #2, pp. 12-19


Copyright © 2018 Author(s) retain the copyright of this article. This article is published under the terms of the Creative Commons Attribution License 4.0

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